Day 88: Book Review – The Woman in the Window

My Project: 365 Creative Writing Prompts

Day 88: Book Review – The Woman in the Window

I found myself with nothing to read last Friday. Among other presents Father Christmas had given me three books, I’d finished them all and so now what … Fortunately, I was downtown and within walking distance to Chapters Indigo, Canada’s largest book retailer.

Since the authors I follow had nothing new on the shelves, I browsed for something else to read and came across ‘The Woman in the Window’. I remembered seeing a poster for this book on the subway, I read the synopsis and I was intrigued.

Synopsis

Anna Fox lives alone—a recluse in her New York City home, unable to venture outside. She spends her day drinking wine (maybe too much), watching old movies, recalling happier times . . . and spying on her neighbors.

Then the Russells move into the house across the way: a father, mother, their teenaged son. The perfect family. But when Anna, gazing out her window one night, sees something she shouldn’t, her world begins to crumble and its shocking secrets are laid bare.

What is real? What is imagined? Who is in danger? Who is in control? In this diabolically gripping thriller, no one—and nothing—is what it seems.

The reviews weren’t bad either …

Instant #1 New York Times Bestseller!

For readers of Gillian Flynn and Tana French comes one of the decade’s most anticipated debuts, to be published in thirty-six languages around the world and already in development as a major film from Fox: a twisty, powerful Hitchcockian thriller about an agoraphobic woman who believes she witnessed a crime in a neighboring house.

“Good choice,” the cashier of the store smiled when I went to pay. “There’s been a lot of hype over this book.”

I left the store withe the book tucked under my arm, happy in the knowledge that I had made a good choice. Or so I thought …

No sooner did I start reading the book or I thought … what is this … this is rubbish. I kept on going though, if others had such good things to say about the book, then maybe the story would pick up. It didn’t. If anything, it got worse.

On Amazon I read the reviews …

“The Woman in the Window is one of those rare books that really is unputdownable. The writing is smooth and often remarkable. The way Finn plays off this totally original story against a background of film noir is both delightful and chilling.” (Stephen King)

“A dark, twisty confection with an irresistible film noir premise. Hitchcock would have snapped up the rights in a heartbeat.” (New York Times bestselling author Ruth Ware)

“Finn’s debut lives up to the hype … A riveting and mature first novel that stands out in a crowded genre.” (Library Journal)

After reading such lavish praise, I began to wonder what was wrong with me. If everybody loved this book, what did that say about my taste in literature?

Then again, I know from experience that these so-called critics can’t be trusted. What Stephen King and Ruth Ware had to say, you can’t really believe because they’re not going to criticize a  fellow writer. Good manner dictate that they must be supportive.

As for the so called professional reviewers … I never believe a word of what they say. Whether it’s a book, a movie or a play … they nearly always have nothing but good to say.

So, I had a look on Amazon what real readers had to say …

"I love a good domestic/psychological mystery. Lately I have been disappointed. This book seemed so promising, published with high praise from writers I trust like Gillian Flynn and Louise Penny. There were 5 star reviews by readers. What could go wrong.? As I read it an old song by the Who kept going through my head, “Won’t Get Fooled Again.”

"So boring. Kept waiting for the story to start.

I am 130 pages in and not sure if I will continue."

"The characters are not very likable or interesting and now I am losing interest. Not sure if I will continue or not, so many good reviews though so maybe it gets better."

There was another very detailed negative review, but that has since been removed so couldn’t copy that one.

In addition, there are indeed some very good 5-star reviews, which left me wondering … did those people read the same book I did? They called the story ‘riveting’, ‘thrilling’ and ‘twisted’. I found it childish and annoying.

The main character, Anna, is not exactly a sympathetic one. She suffers from agoraphobia and is an alcoholic. All she does all day is guzzle wine, whether for breakfast, lunch, dinner or a late night ‘snack’.

This alone bothered the hell out of me. Why did every wine she drinks have to be named and described? Did he get a fee from a liquor store to advertise alcohol? When someone smokes critics and people alike are quick to jump down the smokers’ throat, because oeh smoking causes lung cancer. But nobody seems the least bit bothered  by the constant drinking of characters in books and movies. Shouldn’t it be pointed out that alcohol causes high blood pressure, heart attack and stroke, not to mention liver cancer?

In addition to her alcoholism, Anna watches black and white movies. A. J. Finn obviously has a love for these old movies because the book is peppered with their titles and plots. Every single chapter has movie titles in it, or a reference to a well known person.

So, eventually I thought … to hell with it. Life's too short to waste it on this rubbish. I took ‘The Woman in the Window’ back to the bookstore and moved on to something else. Safe to say, I’ll never pick up another book from A. J. Finn again.

I find it absolutely baffling that so many manuscripts get rejected, yet this one got published. Does A. J. Finn have connections in the publishing industry?

As for the critics who praised this story … they should be prosecuted for misleading information and lying through their teeth.

The Couple Next Door – Shari Lapena

I was quite surprised to see that Shari Lapena worked as a lawyer and an English teacher and wrote two award-winning literary novels.

‘The Couple Next Door’ her suspense debut is written in a strange childlike voice. I got the feeling that the story was written by a 16-year-old. 

The characters aren’t very sympathetic. Anne was once a beautiful, smart woman who used to work in an art gallery but who let her figure and her career go down the drain after she had a baby.

In a time when women juggle a successful career and motherhood, this is not exactly a woman role model. Does Lapena send the subtle message that a woman’s place is in the home, taking care of her child? Is she pointing an accusing finger at women who keep their identity? Has she never heard of a gym and home exercises?

Not only that, Anne suffers from postpartum depression and has a history of violence. Patches in time she later on has no recollection of.

Her husband Marco is equally unsympathetic. When Anne met Marco she was a society girl and he was a boy from the wrong side of the tracks. Marrying into money opened doors and possibilities for him, but he’s basically a loser who doesn’t have a head for business. All he has going for him are his looks and his in-laws money. Is it any wonder that Anne’s parents dislike him?

When the couple leaves their three-month-old baby at home while they attend a dinner party next door, more than one woman will cringe at the irresponsibility of it. What parents in their right mind leave a baby alone at home? When the baby is kidnapped parents the world over might think … serves them right.

Of course, if the baby hadn’t been left alone, there wouldn’t be a story. The couple would come home after the dinner party, find the baby sleeping in her cot, and all would be well. As it is, the baby is gone, the parents are frantic and the police gets involved.

Anyone with half a brain has this story almost immediately figured out. The reader might not know the details but knows who the kidnapper is and why.

All in all, as with so many books that were introduced with a great hype, I found the story disappointing.

I gave the book a three-star rating because I didn’t exactly hate it, but I didn’t love it either. It was all a bit too simple and childlike written.

www.connymanero.weebly.com

The Woman in Cabin 10 - Part II

Yesterday I sang the praises of ‘The Woman in Cabin 10.’ However, to be perfectly honest, after finishing the book I had a few questions. Part of the story made no sense to me, leaving me guessing whether the author had made a mistake. (For the sake of future readers I’d rather don’t go into too much detail).

I went online, searching if someone else had picked up on these ‘mistakes’, but couldn’t find anything.

Desperate for answers I looked up Ruth Ware on Facebook and sent her a message. I didn’t actually expect her to answer, very few authors do. At best you get an automated reply, thanking you for your feedback. But I was going to give it a shot anyway.

Much to my surprise, Ms. Ware did reply and not just a one-liner, but a thorough explanation of what I had perceived as a mistake.

Even with her explanation though, I still didn’t quite get it, so I asked for further clarification, and moments later that’s exactly what I got. Ms. Ware even went as far as apologizing that she hadn’t spelled out the details more clearly.

I’m quite sure Ms. Ware is not to blame. It was me, this is what happens when I read until all hours of the night. My eyes fly over the lines, eager to know what happens next, and in the process some details escape my attention.

Then again, my Kindle might be to blame. By clicking next page, it’s very easy to skip a page. While fully alert, one might pick up on that skip, but who – at 2:00 in the morning – is alert enough to notice such a detail.

So, not only did ‘The Woman in Cabin 10’ impress me, Ms. Ware impressed me even more. She doesn’t act as the grand dame of literature, but rather as an average woman who doesn’t consider herself too posh to respond to a reader’s question.

Next up, ‘In a Dark, Dark Wood’ also by Ruth Ware. I’m only 17 pages into the story, but I can already tell … my nightlight will stay on long after midnight. 

The Woman in Cabin 10

Every avid reader has their favorite authors. For me that’s Erica James, Penny Vincenzi, Lesley Pearce, Joy Fielding, to name but a few. When I need something to read, I check out those names first because I know their stories won’t disappoint.

However, since my favorite authors seem to be in hibernation, as they had nothing new on the shelves, I had to look for something else.

For me this is always a gamble, as I’ve tried quite a few authors over the years whose book I tossed aside after a few pages, wondering how the heck this got published in the first place.

My latest gamble was ‘The Woman in Cabin 10’ by Ruth Ware.

I liked the look of the book (goes to show that some people do judge a book by its cover), while the synopsis seemed promising.

In this tightly wound, enthralling story reminiscent of Agatha Christie’s works, Lo Blacklock, a journalist who writes for a travel magazine, has just been given the assignment of a lifetime: a week on a luxury cruise with only a handful of cabins. The sky is clear, the waters calm, and the veneered, select guests jovial as the exclusive cruise ship, the Aurora, begins her voyage in the picturesque North Sea. At first, Lo’s stay is nothing but pleasant: the cabins are plush, the dinner parties are sparkling, and the guests are elegant. But as the week wears on, frigid winds whip the deck, gray skies fall, and Lo witnesses what she can only describe as a dark and terrifying nightmare: a woman being thrown overboard. The problem? All passengers remain accounted for—and so, the ship sails on as if nothing has happened, despite Lo’s desperate attempts to convey that something (or someone) has gone terribly, terribly wrong…

With surprising twists, spine-tingling turns, and a setting that proves as uncomfortably claustrophobic as it is eerily beautiful, Ruth Ware offers up another taut and intense read in The Woman in Cabin 10—one that will leave even the most sure-footed reader restlessly uneasy long after the last page is turned.

‘The Woman in Cabin 10’ carried no less than 402 reviews on Amazon, but I’d rather didn’t read them. For one, many amateur reviewers give away part of the story without a spoiler alert warning, and two … I put little or no stock in other people’s opinion. After all, what’s good for the goose is not necessarily good for the gander.

I made the mistake of starting ‘The Woman in Cabin 10’ shortly after midnight. I was only going to read for ten minutes or so, but before I knew it, it was 2:00 a.m.

I resolved not to read that late again, but the next night it was 2:30 before I turned the light off.

Near the end of the book going to sleep was not an option, I had to know how the story ended.

So, if you’re planning on reading ‘The Woman in Cabin 10’, prepare to turn page after page, wondering what will happen next. Prepare to chew your lips and bite your nails.

I gave ‘The Woman in Cabin 10’ a five-star rating.